Rallying The Troops For Your Brand


Timelapse video of a war room build. (Never let the account team set up the camera – leave that to the art directors.)

The advertising war room – far less aggressive than it sounds (although there are occasional battles within) – is Strategy Central at Launch. It’s here we conduct a full brand audit and assessment of “enemy” territory. What are our client’s greatest strengths? How well does their product or service differentiate itself in a sea of sameness? Vital insights are drawn here, insights critical to informing the planning process.

We discussed the role and history of the war room with Launch partners and Creative Directors Diane Seimetz and Dave Wilgus:

What exactly is a Launch War Room?

It’s one of the few truly private places in the agency…no windows, a real door to close. We find this helps our squirrel-prone brains to focus. Inside, the walls are covered with pinnable material, which becomes home to a wide variety of our client’s and their competitors’ marketing, brand and social media assets, online reviews – almost anything digital and physical we can unearth. In the end, it’s a 360-degree deep dive, providing a unique, all-in-one glimpse into the customer experience.

:slightly_smiling_face:
A recent Launch War Room built for our client, Norwex.

What led Launch to establish this practice?

Surveying the competitive landscape has always been intrinsic to our discovery process. While we think we know what the others in the category are saying and doing, our recollections can be dated, confused or just not the case. Things change quickly in the world of consumer brands, and there’s really no substitute to ensure you’re working off the latest information than gathering it for yourself. We felt that designating a dedicated space to collect, view, compare and share this intel would encourage and facilitate this key effort.

What do clients gain from this process?

A date with the War Room is always a highlight of the brand strategy process. Our clients are extremely busy, and they appreciate this unique glimpse into their customer’s journey – all under one roof. It’s immersive, interactive, and has impact.

How does a war room get built?

It really does take an army to locate/source the large amount of content required to outfit the effort. A typical war room can include everything from website pages, Instagram feeds, video, print and promotional samples, menus, packaging, paid digital, search. We have people who have become expert at organizing this content on the walls in an easy-to-understand way.

Do you have any tips for building an effective War Room?

The key is to represent all relevant channels, so you get a really good idea of each brand’s story, who they are targeting, how they are attempting to position themselves, how they talk about their company, mission, unique benefits. It also helps to have at least one tall person on your team to pin things nice and high on the wall:)

How else does Launch fight the good fight for clients?

Spending time learning what’s going on in the competitive space is just one of the many ways we prepare to go to war for our clients. It’s part of our four-stage Launch Sequence® that combines strategic process with creative prowess.

Building a powerful brand starts with insights as the foundation, which inspire work that’s relevant, engaging and meaningful. Often highly entertaining, too. Creativity used in this way is the marketer’s ultimate trump card, prevailing over clutter to cut-rate pricing.

Memorable, shareable ideas not only differentiate a brand, they drive its success. 

Lights, Camera, Major Tom


2019 was an exciting year for Launch Agency. Our crew made a big move from Carrolton to Dallas right before the holidays. We needed an exciting way to share our new coordinates and spread some holiday cheer. Creative Director Dean Oram gives us his insight on how our team came together and developed an out of this world moving campaign and holiday card.

Shooting At West Village in Uptown

 What was the inspiration for the 2019 moving and holiday campaign?

At Launch, we’re all considered part of the ‘Crew’. In our agency rebranding, Caliber Creative (our design partner on our revamp), created an astronaut icon. That was the seed that led to Major Tom

Describe the process for creating the campaign? Did you do any sketching, location scouts, etc.?

We knew we wanted to let people know we were a) moving to a new space and b) Happy Holidays. From there, we created a teaser campaign hinting at the move, with a longer format Holiday video rolling out after that, that carried on Major Tom’s odyssey. We sketched and pulled scrap images to create key frames for the basic storylines. Refined the action from there. Scouted locations. And then went out and found ourselves one brilliant NASA-style space suit. Lastly, we cast Major Tom from within the ‘Crew.’

What was it like to shoot the entire campaign on an iPhone? Was it easy? Were there any challenges?

Fun. Really fun. Easy? No. Main challenges were to make sure we covered enough scenarios and moments of action to be able to edit (in iMovie) without needing reshoots or pick-up shots. We’re novices at this after all.

Was there a budget for the project?

The budget extended to the purchase of the NASA-style suit and the music. The rest was a combination of donated time and free labor from our ‘makers’ within.

Who was on the team for this project? What was each person’s role?

Team consisted of April Steinbach (Writer/Wardrobe/Make-up/Crowd Control/Public Relations while on locations), Richard Wezensky (Director of Photography/PA/Runner), Zach Deutsch (Crowd Control/Public Relations while on locations/PA), Myself (Director/Editor), Ray Ives (Actor/Comedic Genius), and Alejandro Hernandez AKA ‘Major Tom’ (Actor) .

What’s next for Major Tom?

The world’s his oyster. He’s now a permanent member of the crew. And likely to show up in a myriad of spaces in the not-too-distant-future.

Alejandro getting work done between takes
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